Essays, notes, and fragments--personal, political, and philosophical--from the midst of things
I'm normally not a fan of o-ver e-nunc-ia-ted British deliveries of Shakespeare, but that one actually works. (I know, praising a great actor for rising to the occasion of the lines he's reciting is a bit gauche, but McKellen's performance there requires I stick my toes in gauche waters.)
If you haven't seen the Trevor Nunn adaptation of Macbeth, from which this scene is taken, with Ian McKellen and Judi Dench as Lady Macbeth, you really need to. It indulges mercilessly in close-up British over-enunciations, but it presents the play in such a cloistered, stark, propless environment that it really works, turning the whole into an almost existential, psychological drama for which such in-your-face, cold readings are perfectly appropriate. It's haunting.
I'm normally not a fan of o-ver e-nunc-ia-ted British deliveries of Shakespeare, but that one actually works. (I know, praising a great actor for rising to the occasion of the lines he's reciting is a bit gauche, but McKellen's performance there requires I stick my toes in gauche waters.)
ReplyDeleteIf you haven't seen the Trevor Nunn adaptation of Macbeth, from which this scene is taken, with Ian McKellen and Judi Dench as Lady Macbeth, you really need to. It indulges mercilessly in close-up British over-enunciations, but it presents the play in such a cloistered, stark, propless environment that it really works, turning the whole into an almost existential, psychological drama for which such in-your-face, cold readings are perfectly appropriate. It's haunting.
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